I place before you here a short discussion by childrens author N.D. Wilson and his father, (author, pastor) Doug Wilson, on a subject close to my heart. Is it appropriate for Christians to appreciate the use of magic in stories? Yes, if you want to read the Bible. But not so fast, what about the idea of authority? Some useful, worthwhile thoughts.
“I am not of the opinion that all the arts shall be crushed to earth and perish through the gospel as some bigoted persons pretend, but would willingly see all and especially music, servants of Him who gave and created them.”
“The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.”
“…You see this in Christian movies, too. If you look across the bulk of the movies made, they are shallow, filled with superficial “tragedy” that in every case resolves perfectly, helping the protagonist to more exciting faith.
This is why so many believers who are artists choose to do art outside of the community of faith — or on the outskirts of it. You can communicate harder things, deeper things, if you’re not constrained by an industry that doesn’t want depth, preferring an easy sell. So, you get a movie like Primer, made by a Believer, that explores hard questions about man’s nature and does it interestingly (time travel and the relationship dynamic between best friends). This movie would be a hard sale into the Christian art buying community (Christian bookstores, web stores, etc). But, ironically, it found an audience with thinking people in the general industry. And it was better done than any Christian movie I’ve ever seen.
So, one thing that Christian art must have is depth.”
Lovely stuff, and full of memories for me. My adopted home country of South Africa, and especially Kwa-Zulu Natal, is a beautiful place.
For some reason we’ve been praying for orphans in Africa for the last month or so. I know everyone is focused on the suffering in Haiti, and properly so. But keep on praying, and giving, to Africa.
“It is clear that to say that the Reformation depreciated art and culture or that it did not produce art and culture is either total nonsense or dishonest.”
What makes for great art? I won’t say I have no idea, but I am certainly on the shallow end of the pool, treading slowly and carefully deepward. One thing that does appear essential to me is the idea of limits. Without limits, and maybe more importantly, contrast, we don’t have much to show that will harmonize with reality on any level. Nevermind delight.
When I had the rare chance to learn from the brilliant Orson Scott Card, one thing he emphasized in world creation was this idea of limits. Our group had a long, involved, discussion that he directed on the limits of magic in stories. He emphasized that characters who can do anything and are not opposed by evil, even strong evil, are not memorable, or worthwhile.
He pointed out that Superman, at one point, had blown out a sun with his breath (like a candle). Boring. Good job Superman, but what now? Can this be the least bit interesting from here on? He said that shortly after that kryptonite was introduced, saving the character. This is why, perhaps, Batman is so much easier (seems to me) to tell a good story about than Superman.
Give me a limited, even a self-limited, character any day.
Limits are essential; cost is essential. Pain, suffering, and struggle are central to all worthwhile storytelling.